The Brown Note Movie Review

This latest and most rote Stephen King adaption has 79% on Rotten Tomatoes. How. Following on from last years tepid, flat and overrated Long Legs, the same director is getting kudos for an even worse film. Far far worse. It's utter garbage.

The superb Deafheaven, always welcomed by the COMPLETELY REASONABLE gatekeepers of Death Metal, sound reborn on their masterpiece sixth album. The only questions being, is it their best release yet? (possibly) and is it my album of the year so far? (yes).

Mike Hadreas, aka Perfume Genius, was expected to follow his last collection with a return to the his perfectly sculpted run of albums, so why does this feel more like another disjointed collection, when compared to his best work?

Or more accurately an EP review of a minor, yet still excellent collection of music the esteemed Canadian electronic composer has made for films.

The British TV drama has become a lightning rod for a burning issue, shining a spotlight in the online spaces turning young boys into misogynists. It's also artistically brave in its structure, superbly shot and directed and features some of the best acting you'll see on TV.

The follow up

https://brownnote.podbean.com/e/adolescence-what-to-do-about-a-problem-like-jamie/

 

The Russo brothers latest attempt to turn as much cash as possible into a bad movie, is nowhere near as terrible as the reviews suggest. Its a pretty watchable, near remake of Bumblebee - with everything a bit worse.

This side quest to the excellent A Quiet Place sci-fi horrors, is immaculately made, directed and acted. So it's rare for me to trash it - I just can't remember seeing a film with so little reason to exist.

Mel Gibson puts his director hat back on for an unusually small project for him. It's really just three people in a room - or in this case a plane. It's been pretty trashed by critics but as a low key B movie actioner it's worth a once through.

Maestro Nicolas Jaar is one of modern music's MVPs. His long run of solo albums plus the two superb AAL albums plus the Pink Floyd analogous cat-nip Darkside project, with guitarist Dave Harrington and now winningly drummer, Tlacael Esparza. Possibly their best album in this now The Smile analogous collective. Continually restless and evolving - often in one track - and always hugely listenable, my fave of the year so far.

Noah Lennox - aka Panda Bear - has long established himself as the most prominent offshoot of the erstwhile Animal Collective band. I have found recently albums - even with the (godlike) Sonic Boom co-album Reset - to be too simplistic and over acclaimed. That's half true here, where songwriting, melody and sequencing get it over the line. I do miss the wild abandon and inspiration of Person Pitch though.