2067 (2020)

With low-budget Sci-fi (and horror) undergoing a revolution this last decade, where artistic powerhouses like Annihilation and Under the Skin exist, and Australia routinely pumps out films like Upgrade, I Am Mother, Predestination and The Rover - a trite, rote dystopian-future subject and bad writing were always going to render 2067 a non-entity. Add awful casting and bad acting to the mix and it sinks like a stone. Kodi Smit-Mcphee's trademark grating, crying teenage man-baby is the icing on a rotten cake.